Haydee Allred
Appraiser, Appraisalink, 807 “W” Ave, Anacortes, WA 98221. Personal property appraiser specializing in residential contents with an emphasis on Fine Art.
CERTIFICATES -
USPAP Certificate (2008), Successfully completed a 15-hour course and examination on the Uniform
Standards of Professional Appraisal Practice (USPAP), the Congressionally-recognized set
of appraisal standards promulgated by The Appraisal Foundation. Completed through the
Appraisers Asociation of America in June 2008, effective through June 2013. Seattle, WA.
USPAP Certificate (2005), Uniform Standards of Professional Appraisal Practice, Appraisers
Association of America. New York, NY. Tested and Passed.
USPAP Certificate (2000), Uniform Standards of Professional Appraisal Practice, The American
Society of Appraisers. Austin, TX. Tested and Passed.
University of Maryland University College (1997-1998), ISA
-Business Practice, Appraisal Principles, Definitions, Functions of Appraisers
-Appraisal Ethics, ISA Report Writing Standards, USPAP, Identification & Authentication,
Research, Legal Issues
-Basic Appraiser Techniques, Practical Appraisal Report Writing, Comprehensive Review
-Appraisal of Fine Art
-Antiques, Decorative Arts, and Residential Contents
CONTINUING EDUCATION - MOST RECENT SEMINARS/LECTURES/CONFERENCES/CLASSES:
2008 “A Celebration in Clothing: One Woman’s Journey.” Anita Luvera Mayer is a weaver and a textile
artist working in the Pacific Northwest, a lecture and demonstration with original works explaining
the process and learning her career has taken her through and how she has come to be
comfortable being who she is as a creative clothing designer. La Conner Quilt & Textile Museum,
La Conner, WA
2008 “The Sculptor and the Philosopher’s Stone: Georges Vantongerloo’s Cosmic Vision of Art”
Belgian artist Georges Vantongerloo (1886 – 1965) was one of the great pioneers of abstract
sculpture, yet his work is still largely underappreciated. A friend of Piet Mondrian and member of
the De Stijl group, he found early recognition mainly among modern architects. Marek Wieczorek
presented insights into Vantongerloo’s working process based on notes and books found in the
artist’s archives. Henry Art Museum, Seattle, WA
2008 Chuck Close in conversation with poet Bob Holman. Chuck Close, one of America’s foremost
portrait artists, speaks with New York School poet Bob Holman about their collaborative work in
the show “A Couple of Ways of Doing Something: Photographs by Chuck Close, Poems by Bob
Holman”. Photos included self-portraits and portraits of artists James Siena, Elizabeth Murray,
Gregory Crewdson, Terry Winters and others. Tacoma Art Museum, Tacoma WA
2008 Highly Opinionated Hot Picks in Contemporary African Art – a discussion of the contemporary
African art scene, an overview of important shows like the recent 2008 “Eye on Africa and
Contemporary Art”, the controversial 2007 African Pavilion at the Venice Biennale, the 1996 show
“In/Sight: African photographers, 1940 to the Present” at Guggenheim Museum in New York City
and the 1996 “Africa Remix – Contemporary art of a continent” at the Mori Art Museum Tokyo,
Japan. Recommended artists to buy for a Museum included Mounir Fatmi. (b. 1970 Tangier,
Morocco), Zarina Bhimji (b. 1963 Uganda), Adel Abdessemed (Algerian,1971), Rashid Ben Ali (b.
1978, Taza, Morocco). Presented by New York curator, critic and visiting Assistant Professor of
Art at Vasser College Isolde Brielmaier and Trevor Schoonmaker, curator of contemporary art at
Nasher Museum of Art at Duke University. Seattle Art Musem, Seattle, WA
2008 Paul Horiuchi: Finding Nature A discussion of the life and work of prominent northwest artist Paul
Horiuchi and his show at MoNA. How the artist went from a railroad maintenance foreman working
on his art on the side in Rock Springs, Wyoming to the height of his collage work in the late
1950’s in Seattle, WA and how by the 1990’s he was still evolving his work with the addition of
new photographic elements. Presented by guest curator Barbara Johns, Museum of Northwest
Art, La Conner, WA
2008 “The Crossing of St. Peter’s and the End of the Renaissance” How four completely different
sculptors – Gianlorenzo Bernini (1598-1680), Andrea Bolgi (1605-56), Francesco Mochi (1580-
1654), and Francois Duquesnoy (1597-1643), created four colossal works of saints in marble in
the early 1600’s and set a defining moment in art history signaling the end of the Renaissance for
sculpture and redefined the practice of sculpture for the next 100 years. Presented by Estelle
Lingo, Henry Art Gallery, Seattle, WA
2008 "Zacherias and the Chicago Settee: Connecting the Masterpiece to the Master" A discussion of
how the identity of the Haida artist who carved the setee was confused with artists such as
John Cross, John Robson and Charles Edenshaw and how the records of James Deans who
commissioned 29 model houses from the village of Skidigate for the World's Columbian
Exposition in 1893, and Bill Holm's article "Will the real Charles Edenshaw please stand up"
helped solve the mystery. Presented by Robin K. Wright, Henry Art Gallery, Seattle, WA
2008 "Changing Market for Painters" A panel discussion including speakers: Jody Bento, SAM Rental
Sales Gallery, Patricia Rovzar, Patricia Rozar Gallery, Irene Mahler, Mahler Fine Arts Consulting
presented by the Women Painters of Washington, Seattle Art Museum. Seattle, WA
2007 Crosscurrents: Contemporary Art of the Inland Northwest. Inland Northwest artists including
Merrily Tompkins of Ellensburg, James and Roberta Lavadour of Pendelton, Oregon and Richard
Notkin of Helena, Montana produce their art in a culturally and socially distinct geographic area
than the coastal artists of the Northwest. Presented by Ben Mitchell, Curator of Art, Northwest
Museum of Arts and Culture in Spokane. Museum of Northwest Art, LaConner, WA
2007 The Art Around Us: Northwest Coast Indian Art. A survey course focusing on the styles and
subject matters found in eight Northwest Tribes. Identify tribal attributes, designs and terms used
in mask and totem pole carving as well as in basket production. Presented by Alica Leppanen,
Skagit Valley College, Mount Vernon, WA
2007 Northwest Coast Clan Pole Raising. Burke Museum, Seattle WA
2007 German art and culture - The Loss of the Berlin Salon Culture. Professor Richard Block,
University of Washington Department of Germanics. Related Exhibition: Spectatorship and
Desire: Loss. Frye Museum, Seattle, WA
2006 Art History with Rebeca Albiani, Frye Museum, Seattle, WA
Dirty Dishes: Renaissance Maiolica from Urbino
William Morris and the Arts and Crafts Movement
A City of Marble – Augustan Rome
The Dark World of Goya’s Caprichos
2006 Mona’s Collection at 25, Presented by Susan Parke, MoNA curator, La Conner, WA
2005 National Conference – Beyond the Essentials, Appraisers Association of America. New York,
NY. Bonham’s Auction Preview – American and European Paintings; Fakes, Frauds and Fake
Fakers; Beyond Comparables; Damage and Loss; Outsider Art; What’s Hot in Canada, Classic
and Contemporary Favorites in Today’s Market; Swann Galleries Auction Preview – Contemporary
Art; Accessing Market Data; Fakes and Forgeries; Damage & Loss: The Case Studies;
Evaluating the 20th Century: Insights into the Current and Ever Changing Market of 20th Century
Decorative Art; Working With Science; Due Diligence; Appraising Spanish Colonial Art; African
American Art.
2005 Louis Comfort Tiffany: Artist for the Ages – A slide show overview of the exhibit presented by
Seattle Art Museum. Valley View Library, Seattle, WA
2005 Artist Tool Kit Series - “Grants, Residencies & Awards”; “Contracts and Copyright Law”. Seattle
Academy of Fine Art, Seattle, WA
2005 Survey of Western Art III ACO504, Instructor, Su Job, Seattle Academy of Fine Art, Seattle, WA
2005 “Return to Glory” – A lecture and slide presentation of the restoration of the Sistine Chapel by Dr.
Joanne Snow-Smith, Univ. of Washington. St. Thomas Episcopal Church, Medina, WA
2005 Women Artists: Looking Forward / Looking Back, a panel discussion. Professor Barbara Miller,
moderator, panelists/artists: Sheila Klein, Mary Randlett, Susan Rodo. MONA, La Conner, WA
2004 Artist Tool Kit Series - “Working Artist”: What does it mean?; Artist’s Statements & Résumés;
Studio Documentation. Seattle Academy of Fine Art, Seattle, WA
2004 Painting the Wilderness: Abby Williams Hill, 1861 – 1943. Lecture by art historian Ron Fields.
Museum of Northwest Art. La Conner, WA
2004 Preserving Heirlooms – A panel discussion. Anacortes Museum, Anacortes, WA
2004 Artifact ID Day – Observer. Burke Museum, Seattle, WA
2003 Pathways to Heaven – Journeys of the Soul in Northwest Coast Native Culture, Lecture by Dr.
George MacDonald, Burke Museum, Seattle, WA
2003 Northwest Women Artists: 1880-1950, Lecture by David Martin, Martin-Zambito Gallery, MoNA,
La Conner, WA
2003 State of Contemporary Art a lecture by Peter Schjeldahl, art critic for The New Yorker, Bellevue
Art Museum and University of Washington, Seattle, WA
2003 Mexican and Chicano Art of the Northwest, Deborah Caplow, MoNA, La Conner WA
2003 Contemporary Issues in Northwest Coast Native American Art - Museums and Native Artists: A
Vision for the Future, Dr. MacDonald, Burke Museum, Seattle, WA
2003 “Life Vessels” – Artist Allen Moe discusses his primitively fired clay pots, MoNA, La Conner, WA
2003 Contemporary Issues in Northwest Coast Native American Art – A Panel Discussion: The Indian
Arts and Crafts Law, Burke Museum, Seattle, WA
2003 “Waterston: The History of Paint”, Bellevue Art Museum, Bellevue, WA
2003 “In Line With Al Hirschfeld”, Frye Museum, Seattle, WA
2003 Contemporary Issues in Northwest Coast Native American Art – “The Exploration of Northwest
Coast Indian Art 1774 – 2003”. Burke Museum, Seattle, WA
2002 Icons of Mexican Art, Frida Kahlo, Diego Rivera and Mexican Modernism: The Jacques and
Natasha Gelman Collection”, Seattle Art Museum, Bellevue Library. Bellevue, WA
2002 Myth, Nature, and Art, A lecture by William Morris. Museum of Northwest Art, La Conner, WA
2002 Corot to Picasso: European Masterworks from the Smith College Museum, Bellevue Library,
Bellevue, WA
2002 A Victorian Clock Shop: The Junghans a chronology of a Clock Making Empire. Whatcom
Museum, Bellingham, WA
2002 The Glory of the Renaissance, part 2, Bellevue Art Museum, Bellevue, WA
2002 A Sense of Place: Artists of the Northwest, Bellevue Art Museum, Bellevue, WA
2002 Telling Tales, Bellevue Art Museum, Bellevue, WA
2002 Skagit Topics: The war years in Washington State. Skagit County Historical Museum,
La Conner, WA
2002 The Figure is Dead, the Figure is Alive. MoNA, La Conner, WA.
2002 The Glory of the Renaissance, part 1, Bellevue Art Museum, Bellevue, WA
2002 The Northwest School: Enduring Tradition or Historic Episode. MoNA, La Conner, WA
2002 Art in the Northwest: 1900 – 2001, Bellevue Art Museum, Bellevue, WA
2002 Asian American Artists of the Puget Sound Region, MoNA, La Conner, WA
2002 Historical Documentary Photography, Then and Now, Skagit County Historical Museum,
La Conner, WA
2002 Iridescent Light: The Emergence of Northwest Art, MoNA, La Conner, WA
2001 Industrial Artist – Ries Niemi, Sculptor, Museum of Northwest Art (MoNA). La Conner, WA
2001 American Constructivist: A Conversation with Mary Henry, MoNA, La Conner, WA
2001 Twenty Years of Contemporary Art at the Sacred Circle Gallery, MoNA, La Conner, WA
2001 How Pottery is Made, KWGS, San Antonio, TX
2001 Candlewick, KWGS, San Antonio, TX
2001 Share the Vision – The Morgan town Etching Plates, KWGS, San Antonio, TX
2001 Texas Furniture Traditions in the 19th and early 20th century, Lady Bird Johnson Wildflower
Center, Austin, TX
2000 The Battle between the Spirit and the Flesh: 60’s Art from Minimalism to Body Art, John Clarke,
University of Texas, Austin, TX
2000 Pieter Brugel the Elder and His Works on Paper, Dr. Orenstein, Metropolitan Museum of Art, NY,
hosted by the University of Texas, Austin, TX
2000 Paden City Glass 1916-1951 -Seminar, Kent Washburn’s Glass Show (KWGS), San Antonio, TX
2000 Navarre Glass - Seminar - (KWGS), San Antonio, TX
2000 Sterling Silver Pitchers from Different American Periods – Seminar (KWGS), San Antonio, TX
2000 Images and Influences of China: From English Garden to American Decorative Arts and
Architecture - Lecture - Festival Institute, Round Top, TX
2000 American Art History - Informal Class - University of Texas, Austin, TX
2000 Celebrating Sacred Art - Seminar- Austin Diocese Fine Arts Council, Austin, TX
2000 Double Takes - Austin Evolving (Photography) Seminar, Austin History Center, Austin, TX
1999 Southern Furniture - Seminar, Lady Bird Johnson Wildflower Center, Austin, TX
1999 Royal Ruby Glass - Seminar, (KWGS), San Antonio, TX
1999 The Appraiser and the Appraisal Report: Appraising as a Second Language, (AAA) New York, NY
1999 Appraising Conference AAA, New York, NY
1998 Appraising Conference, ISA, San Diego, CA
1998 Appraising Conference, Appraisers Association of America (AAA), New York, NY
1998 Chinese and English Ceramics, George Washington University, Wash D.C.
1998 Old Master Paintings, George Washington University, Wash D.C.
1997 Ivory Identification -(IIS) Conference, Laurel, Maryland
1995 - 2001 Gallery Account Manager to the Artists: Borja Fernandez, Pep Suari, Bartolome Sastre,
and Angeles Cereceda of the J. Torrents Llado Escuela Libre del Mediterráneo.
1985 - 1987 Gallery Account Manager and Artist Assistant to Joaquin Torrents Llado during his travels
to Texas.
PARTICIPANT:
2008 6/07/08 12:00 – 4:00. Antiques Show ‘N Tell, Lynden Community Center, Lynden,WA.
2007 6/16/07 12:00 – 4:00. Antiques Show ‘N Tell, Lynden Community Center, Lynden,WA.
Appraiser – Fine Art. A fund raising event with all proceeds benefiting the Whatcom County
Library Foundation.
SPEAKER:
2008 8/1/08 "Only to Vanish From View..." Presented to the North Coast Painters, Anacortes, WA.
2008 3/12/08 “Only to Vanish From View...” The steps that can be taken by any artist to avoid
vanishing from view. Visibility Metrics, Value Metrics and Momentum Metrics will define a
strategy of viral marketing necessary to accompany the artist’s work in the current market.
Presented to the Women Painters of Washington, Seattle Art Museum.
2004 3/14/04 What’s Art Worth? An Art Appraisal Forum, Insights Gallery, Anacortes, WA.
A two part lecture. Topic: Not Every One Needs An Appraisal.
Topic: What made Mark Tobey become Internationally Recognized while Jacob Elshin remains
a regional Artist.
JUROR:
2000 Applied Materials Employee Art Competition, August 2000, Applied Materials offices, Austin TX.
1999 Austin Artists Harvest, 32nd Annual Exhibit and Sale. October 23 - 24th, Palmer Auditorium,
Austin, TX.
MEMBERSHIPS:
2001 - Present Member Appraisers Association of America
2001 - Present Member Museum of Northwest Art (MoNA)
1999 - 2000 Member, National Public Relations Committee, ISA
1998 - 2000 Secretary, National Fine Arts Committee, ISA
1997 - 2002 Accredited Member of the International Society of Appraisers (ISA)
1997 - 2005 Member, International Ivory Society (IIS)
ADDITIONAL WORK RELATED EXPERIENCE:
1995 – 2001 Gallery Director - Austin Galleries 1219 W. 6th St. Austin, TX 78703.
Responsible for coordinating all aspects of an 8000 sf retail Fine Art and Antiques Gallery.
Artist Liaison, Consignment Liaison, Appraiser.
1985 – 1987 Gallery Assistant – Austin Galleries 600 Congress Ave. Austin, Tx 78701,
Sales Associate, Artist Interpreter, Appraisal research.
Bachelor of Arts - University of Texas, (1986), Austin, TX. Liberal Arts Degree.